Before I start, this post is about a dress. A dress I made. Looking at the photos, you might be forgiven for thinking it is about Blue the Deerhound. It isn’t. It seems that she has recently discovered that she likes having her photo taken. Camera comes out and she is straight there. As splendid as she is, she had absolutely nothing to do with the manufacture of the dress.
I’m glad we’ve sorted that one out
Now on to the dress.
I picked up the fabric last year at a discounted price (£1.99 per metre – I’m sure it must have been a typo!), from Minerva Crafts. They no longer stock it. It’s an embroidered, stretch needlecord and a gorgeous colour. Orangey-brown with a black cord twisted and turned on the surface of the fabric.
The only problem I had with the fabric was that some of the black cord started to undo. A quick anchoring stitch or two sorted it out. I suspect it will happen again, but I absolutely love the pattern the embroidered cord makes, so I’m not put off.
In the same order, I selected Butterick 4386 pattern. I was after work outfits and this pattern offered six combinations, which would give me a good choice. Plus more, if the sleeves are swapped around. Also, any pattern that says “Fast & Easy” on the front and “very easy” on the back suggests that the first dress I make stands a good chance of not putting me off whisking up another.
I went for view C without the sash.
The pattern instructions are straightforward, with not too many steps. I like my sewing patterns the same as recipes. Short and sweet, so I can add my own variations in.
The only part I would change is the zip stage. It’s sewn in after the side seams are stitched up, which left me fitting the zip in a tube rather than on the flat. It would have been easier to sew the zip in and then stitch the sides. The zip is 22″ (55cm) long, which makes the dress wonderful to step into when I’m dressing, but made matters worse when it came to fitting it to the dress.
Next time, I’ll fit the zip and then stitch the side seams.
Only other change I made is that I used silk from a recycled silk shirt to face the neck line, instead of the needlecord fabric. (I’ve already mentioned this in an earlier post. Forgive me for repeating). It meant I avoided the black cord thread rubbing against my neck, which would have irritated. I love the touch of green and it still does the designed job.
I am very happy with the finished dress. Super comfortable to wear and a great choice when I visit work clients. The dress is intended for the autumn. I can see myself wearing it with shoes or boots for a different look. Maybe a scarf to ring the changes. I suspect that come the cooler months, I’ll be taking the side seams in, as it is already feeling too loose and I’m determined to get fitter.
So on to the next project. I’m working on the next version of this pattern. A more summery version.
Thank you to the Teen who took the photos and her sister who tried to control Blue. It proved to be a difficult job when a young deerhound is determined to have her photo taken, but you both did well.
You can be honest. She stole the show, didn’t she?
I’ve cut out a new dress today. I fell for the colours. They remind me of summer days in my teens. The turquoise/cyan in particular. I remember my sister making a skirt and top in the same colour, one year.
I bought the fabric with a different dress in mind, but when the moment came to prepare the fabric for cutting, I knew it wouldn’t work. Plan B. A different dress pattern.
This often happens to me. I buy fabric for one project and then have second thoughts once I get home. Realisation hits that it would work better in a different style. Then starts the challenge. Is there enough fabric for the alternative dress pattern?
This time it needed less fabric. Me being me, still rolled up my sleeves to make something out of very little. I had the chance to eek out enough for a second sewing project. Two for the price of one. My kind of bargain.
So how do I squeeze more out of my fabrics? No. It’s not a question of persuading the children to play tug of war with it, although I’m pretty sure that it wouldn’t take much persuading for them to give it a go. Nor do I go on a crash diet, or breathe in the whole time I’m wearing the outfit.
Want to know how I do it? These are dressmaking tips you won’t find in the pattern instructions.
Steps to saving fabric
Step 1: Don’t follow the cutting plan.
Every dressmaking pattern comes with diagrams, showing you how to position the paper patterns on your fabric. Ignore it.
To be honest, I seldom cut fabric out as the instructions suggest. As long as I line up the grainline (that big double headed arrow, in case you’re wondering) and respect the direction of the print (I need the fishes swimming in the same direction, right?), anything else is up for interpretation.
For instance, in this latest fabric cutting, I changed the foldline of the fabric when I cut out the front of the dress. It left me with a big rectangle of fabric that I could cut the sleeves from. Feels like free fabric.
If I’d followed the instructions and lined up the selvedges, as suggested, the front of the dress would have been cut out of the middle of the fabric, leaving two thin rectangles of fabric on each side. No use to man or beast. On the printed plan this was mostly left as waste fabric. Madness when you stop to think about it.
Be creative. Find a way to free up large areas of the fabric, rather than being left with lots of small pieces.
Warning: Don’t cut anything out until all the pattern pieces have been positioned on the fabric.
Step 2: Use contrasting fabrics for yokes, hems, etc
Most patterns assume you are going to use the same fabric throughout the project. Some allow a contrast for one part, like the collar, but not all. There is nothing to say you have to stick to one fabric for all the other parts. Yokes, sleeves, pockets, hems – they can be different.
confession story best illustrates this one. Last year I bought fabric to make a blouse for my daughter. Such cute fabric she had selected. In my excitement, I completely forgot that I needed more fabric to match up the cars at the front of the blouse. My bad. It looked like I couldn’t avoid slicing cars in half at the button-up front, if I wanted to make the blouse out of this fabric.
If I’m going to spend time hand making a garment, I want it to look good at the end. No half cars, please.
I put my thinking cap on. After pattern matching the front of the blouse, there was no fabric left for the back yoke, so I used a coordinating blue fabric for it, that I found in my scrap bag.
Result: a fun blouse that looked better than I had originally imagined. I still used the fabulous fabric to good effect, but the blue made it pop out even more.
Step 3: Patchwork fabric
Carrying on with the same blouse, I didn’t have enough fabric for the back either. Crazy, I know. Anyone wondering why I didn’t give up on this project? I am.
So, what did I do? I got creative with my cutting. I sliced the back paper piece in two and positioned the halves on the fabric, allowing for a small seam allowance, so that the car patterns would match. Once it was sewn up, from a distance, it looks like one piece of fabric. Mission accomplished.
There is nothing in the rule book to say fabric cannot be patched together. In fact, I’ve read of haute couture houses cutting up stripes to make the perfect zigzag fabric, when needed.
Step 4: Use different fabric for facings that don’t show.
If the fabric isn’t going to show, then use a different one. Pockets tucked in the seams will not show. Save fabric by using a similar fabric. I made four polar bear pyjamas. Each pair has pockets made from different brushed cotton fabric from previous projects.
This is my brown, cord dress. (Eek! I still haven’t shared photos of this dress here.) In the instructions, it listed the neck facing to be cut from the same fabric as the rest of the dress. I had lots of fabric, but I’m always looking to save it. Also I didn’t much fancy the black cord rubbing against my neck.
So I dived into my recycling pile and pulled out a silk shirt of my husband. I loved that shirt, but he didn’t. I cut it up and used it as the neck facing. It gave the structure required, but with the added silky, softness, and I have enough brown fabric left for a skirt.
Step 5: Change lengths or shape
My rose dress used a lot of fabric. It is a fit and flare. I didn’t really have quite enough fabric. I overlapped the pattern slightly on seams and hem allowance. I shortened the sleeve length slightly. These little tweaks made all the difference.
On one or two garments, I’ve reduced the seam allowance. I always neaten seams. I want my garments to look good on the inside too. Using fabric tape, I can still ensure the fabric won’t fray and unravel when there’s less fabric.
Break the rules
I’m using the term “rules” in a very loose way. There are no design police who turn up and put you straight if you ignore the instructions.
I know the handmade projects that have caused the most problems, have turned out to be my favourites, because I’ve not been able to follow the rules. My daughter’s blouse certainly gave me a few head scratching moments, and I love the touch of green in my brown dress.
I’ve not used any indie design patterns. I have no idea how prescriptive their instructions tend to be or how easy they can be modified. I do love using sewing patterns from the so-called Big Four (Simplicity, Vogue, McCalls, Butterick) but I like to make them my own. Using the instructions as suggestions rather than anything else.
By mixing and matching, I think it makes a handmade garment that little bit more special. More of a designed feel. Saving fabric at the same time. Not something to be sniffed at.
Have you any tips to make your fabric go that little bit further?
Other frugal dressmaking tips:
We sat on her bed, looking at the contents of her wardrobe. After flicking through the rail, I finally agreed with her. All her dresses were not suitable for a near-teen. It didn’t help that since last summer she has stretched. I mean really stretched. Dresses were now tunics and the rest were too young.
More dresses were definitely required. (Music to a mother’s ears, who likes to sew.)
It was a Saturday morning. The fabric shop would be open. Heading downstairs, I selecting a few possible patterns from my collection and let her choose.
Being a near-teen, she has clear ideas about what she likes. It is a fearless state of mind. She doesn’t seem to compromise and worry about what her friends will think. She knows what she likes and what suits her. I hope she never loses that clarity.
The making of the dress
She opted for Simplicity 5234. A simple dress, that gave a variety of combinations. Different options for the neckline, yoke fabric and sleeves, while the dress stayed the same, simple shape. She could design her own dress. How good is that? She was decisive and went for view B. She wanted a lace overlay, with cap sleeves.
Fearless, I tell you.
Next stop, the fabric shop.
It didn’t take her long to spot the perfect watery-blue. We looked at several laces and background fabrics, finally settling for a white, soft lace against white fabric.
Secretly, I was pleased she chose this dress pattern. I knew it would be quick to make and perfect for a wedding we were all going to this weekend. The dress is a pullover. No zips or buttons. A simple shape with a tie at the back.
I’ve not worked with lace before. The sleeves needed gathering at the top to ease them into the armhole. I found the combination of lace and gathering fiddly, but got there in the end.
Originally, she wanted the long version of the dress, but once fitted, she realised that the hem would work better for her as the short version. I cut off a couple of inches. If she changes her mind, I can easily add it back on.
The pattern was quick to make and no advanced tailoring. A great choice if you’re starting out on your dressmaking journey. The instructions are straightforward. If I was to make it again, I think it would take me an afternoon.
Why it matters that she designed it
She loves her new dress. The dress she designed. She’s not one to ask for lots of things, but when I prompted her, she did say she’d love another using the same pattern. I think I can manage that.
I’m glad we took this route. Yes. I could have let her loose in any number of clothes shops, with a purse full of money. I daresay, she would have found an outfit she liked. Maybe it would have been a compromised choice as closing time neared. This dress should last her a while (especially if I add the length back on). Unlike a shop bought outfit, it will not look easily dated. Eventually she will grow out of it, but it’s not destined to be thrown away in a matter of weeks/months as so much of our fashion goods are in this country. As the fashion passes.
It may seem like a small thing, but I love that I was able to give her control of the design.
I try to bring my children up not to be sheep. Following others blindly, without a thought. They may roll their eyes, but they’re also the first to point out when they see others following for the sake of following. I can also see in their actions that they understand. My daughter loves to draw. She loves to design. Doing it this way meant she could take her skill and transfer it to something she could wear. She led rather than being led by others. She designed it. She did it. Confidence boosted a notch or two more.
She wore her dress to the wedding and had a great time. She said it was an easy dress to wear.
Bizarrely, after the wedding, in a way that no one could ever have co-ordinated the timing so perfectly, we stepped out on to the pavement, and straight into the Bath carnival.
The music and dancing swept us all away. I had wondered if my dress (and this blue one) might be too bright for a wedding. Apparently not this wedding. Not with a carnival to finish off the proceedings.
Linking up with Crafting On and …